Tradicionalna španjolska odjeća toreadora kao inspiracija za scensko uprizorenje

undergraduate thesis

• Title (english): TRADITIONAL SPANISH CLOTHING OF TOREADOR AS INSPIRATION FOR STAGE PERFORMANCE
• Author: Paula Peloza
• Mentor: Marin Sovar (mentor)
• Mentor: Ivana Bakal (pomoć pri izradi, neposredni voditelj)
• Committee member: Darko Ujević (predsjednik povjerenstva)
• Committee member: Marin Sovar (član povjerenstva)
• Committee member: Ivana Bakal (član povjerenstva)
• Committee member: Paulina Jazvić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2020-09-18, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Rad „Tradicionalna španjolska odjeća toreadora kao inspiracija za scensko uprizorenje“, objedinjuje tehničke i umjetničke aspekte španjolske tradicionalne borbe s bikovima. Sastoji se od teorijskog dijela i umjetničkog dijela rada. U teorijskom dijelu bavim se povijesnim aspektom borbi s bikovima, razvojem tradicije sve do modernog doba, kako se ona mijenjela i što predstavlja španjolskom narodu. Proučila sam arene za borbu, koliko je manifestacija popularna te sam istražila uzgoj bikova posebno za tu prigodu. Ono na što sam se fokusirala jest detaljno objašnjavanje ceremonije, sudionika te osobno najzanimljivijeg dijela, svečanog kostima toreadora. Istražila sam i borbe bikova u Hrvatskoj te zagovaranje zabrani borbi s bikovima. U umjetničkom dijelu rada, inspirirana kostimima, njihovim ornamentima i bojama, poigrala sam se makeup artom prikazavši kroz kostimografski i glumački aspekt emocije kako iz toreadorove tako i iz bikove perspektive. Unutar umjetničkog dijela rada priložene su dokumentirane faze izrade frizura u funkciji oglavlja te fotografije rezultata umjetničkog rada.

Abstract (english)

Name of this final work is „ Traditional Spanish clothing of the Toreador as inspiration for stage performance“, it combines technical and artistic aspects of spanish traditional bullfighting, consisting of both theoretical and artistic part. In theoretical part I am clarifying stages of bullfighting, development of tradition from early ages up to the modern era, how it has been changing and what traditional spanish bullfighting represents to the spanish people. I did a research about bullfighting arenas, how popular this is and breeding of the bulls. The focus was on the detailed explaination of the fullfighting ceremony, their audience and personally most interesting part, festive costume. Also I have studied about croatian bullfighting and It's prohibition. In artistic part of this work I gave my contribution inspired by costumes, embroidery and colours. I displayed emotion from a bull's-eye view and toreador's- eye view using face makeup and facial expressions. In artistic part of this work, all stages of headpieces made of hair are documented as well as photos of the results of my artwork.

• Keywords: corrida; el traje de luces; toreador; makeup; performans; fotografija; kostim svjetlosti; španjolska kultura
• Keywords (english): corrida; el traje de luces; toreador; makeup; performans; photography; suit of lights; spanish culture
• Language: croatian
• URN:NBN: urn:nbn:hr:201:743080
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design; Course: Fashion Design; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna (sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2020-10-07 13:30:40