Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta

master's thesis

• Title (english): COSTUME DESIGN BY TEMPLATE OF THE DRAMA „THE THREEPENNY OPERA“ BY BERTOLT BRECHT
• Author: Matija Dijanović
• Mentor: Snježana Vego (mentor)
• Mentor: Ivana Bakal (pomoć pri izradi, neposredni voditelj)
• Committee member: Ana Sutlović (predsjednik povjerenstva)
• Committee member: Snježana Vego (član povjerenstva)
• Committee member: Ivana Bakal (član povjerenstva)
• Committee member: Martinia Ira Glogar (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2020-09-28, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Tema ovog rada je kostimografsko rješenje glazbene drame Bertolta Brechta i Kurta Weilla, „Opera za tri groša“. Uz preglede biografije i umjetničkog stvaralaštva autora, analiziran je i objašnjen pojam epskog teatra i svih njegovih odrednica koje su važne za pristup takvoj vrsti djela. Pojašnjavajući pojmove u usporedbi s onima iz klasičnog, dramskog teatra, analizira se i pojašnjava sam predložak - „Opera za tri groša“, njezin nastanak, utjecaj i pregled najznačajnijih inscenacija do sada. Određuju se svi elementi potrebni za daljnju razradu skica prijedloga kostima, kolorita, stilskog perioda uz osmišljavanje šminke i frizura kao važnih čimbenika koji funkcioniraju unutar normi epskog teatra. Nakon toga slijedi kreativni dio rada u kojem su priložene skice i objašnjenja likovnosti kostima svakog od likova, njihovih frizura i šminke, te samostalan rad izrade jednog od kostima s odabrane skice.

Abstract (english)

The theme of this paper is the costume design of the musical drama by Bertolt Brecht and Kurt Weill, The Threepenny Opera. In addition to reviews of the author's biography and artistic work, the notion of epic theater and all its determinants that are important for access to this type of work are analyzed and explained. Explaining the terms in comparison to those from classical dramatic theater, we come to the analysis and explanation of the template itself - The Threepenny Opera, its origin, its influence and an overview of the most significant stagings of this time. All the elements necessary for the further elaboration of sketches of costume proposals, colors, stylistic period and the design of make-up and hairstyle as important factors that function within the norms of epic theater are indicated. This is followed by a creative part of the work in which sketches and explanations of the costumes of each of the characters, their hairstyles and make-up are attached, as well as independent work of making one of the costumes from the sketch.

• Keywords: Opera za tri groša; Bertolt Brecht; Kurt Weill; epski teatar; kostimografija
• Keywords (english): The Threepenny Opera; Bertolt Brecht; Kurt Weill; epic theater; costume design
• Language: croatian
• URN:NBN: urn:nbn:hr:201:584450
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Costume Design; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2020-10-07 12:04:49