Haptična površina kao element oblikovanja kolekcije modne odjeće na primjeru T-siluete

undergraduate thesis

• Title (english): HAPTIC SURFACE AS AN ELEMENT OF FORMING A FASHION COLLECTION BASED ON A T-SILHOUETTE PRINCIPLES
• Author: Nina Lopac
• Mentor: Jasminka Končić (mentor)
• Committee member: Jasminka Končić (predsjednik povjerenstva)
• Committee member: Katarina Nina Simončič (član povjerenstva)
• Committee member: Ana Sutlović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2017-09-29, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Tema ovog završnog rada odnosi se na oblikovanje kolekcije modne odjeće na primjeru
odjevne T-siluete. Cilj kolekcije bio je postignuti naglašenost haptičnosti odjevnog
oplošja. Istraživanje se bazira na pregledu primjera haptičnih površina u odijevanju iz
povijest umjetnosti i odijevanja, počevši od odijevanja drevnih civilizacija koje i u
kasnijim razdobljima utječu na oblikovanje odjevnog oplošja. U nastavku slijedi
istraživanje tehnika postizanja haptičnosti modnog oplošja u radu suvremenih modnih
dizajnera. Tehnološki dio završnog rada bavi se istraživanjem principa bojadisanja
prirodnim bojilima uz opis izvedbe eksperimentalnog dijela odnosno bojadisanja
pamuka na tradicionalan način.
Istraživanje na poslijetku dovodi do razumijevanja haptičnih površina u oblikovanju
odjevnog oplošja prikazanog vlastitom idejom modne kolekcije, čija je forma određena
likovnim, odnosno skulpturalnim elementima. Uz likovni dizajn kolekcije priloženi su i
tekstilni materijali namjenjeni izradi kolekcije, realizirani tehnikom pletenja te
macramé tehnikom.

Abstract (english)

The subject of this bachelor’s thesis relates to the design of a fashion collection on the
example of a T-silhouette. The aim of the collection was to achieve the accentuation of
the surface hapticity in the surface of clothes. The research is based on an overview of
haptic surfaces in clothing in the history of art and costume, starting with the costume
of ancient civilizations, which also have a big influence in fashion in later periods.
Below follows a study of the techniques of achieving the surface hapticity of the
garments in the work of modern fashion designers. The technological part of this
bachelor’s thesis is concerned with exploring the principles of natural dyeing
techniques acommpanied by the description of the experimental part; traditionally
dyeing cotton with natural dye.
The reasearch leads to an understanding of haptic surfaces in forming of a fashion
collection, depicted on a personal idea of fashion collection, formed of artistic and
sculptural elements. As part of this thesis are also textile materials made by knitting
and macramé technique, designed for the collection’s realisation.

• Keywords: haptičnost; nabori; modna kolekcija; pletivo; macramé; T-silueta; prirodna bojila
• Keywords (english): hapticity; drapes; fashion collection; knit; macramé; T-silhouette; natural dye
• Language: croatian
• URN:NBN: urn:nbn:hr:201:240341
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design; Course: Fashion Design; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna (sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2020-10-01 10:47:51