Johann Wolfgang Goethe i teorija boje u modnom dizajnu

undergraduate thesis

• Author: Sara Robek
• Mentor: Jasminka Končić (mentor)
• Committee member: Jasminka Končić (predsjednik povjerenstva)
• Committee member: Martinia Ira Glogar (član povjerenstva)
• Committee member: Paulina Jazvić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2019-06-06, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Kroz rad se istražuje teorija boje te njegova primjena u modi po uzoru na poznatog teoretičara Johanna Wolfganga von Goethea. Istražuje se pojava boje još od samih početaka, od prapovijesti, preko starog Rima i Grčke, do Viktorijanskog doba, pa sve do današnjega „modernoga“ svijeta. Opisane su i objašnjene tri teorije boje, preko tri teoretičara: Leonarda da Vincija, Issaca Newtona te Johanna Wolfganga Goethea. Proučavajući teorije boje podjelili smo ih na tri znanstvena aspekta: fizikalni, psihofiziološki te kemijski aspekt.
Tijekom istraživanja došli smo do zaključka da boja ima veliki utjecaj u modi, a skice koje su nastale tijekom rada baziraju se na Goetheovom eksperimentu sa staklenom prizmom. Logičan slijed bio je odabrati iridescentnu holografsku tkaninu koja pod utjecajem svjetlosti prikazuje spektar boja.

Abstract (english)

Through the paper, the theory of color and its application in the fashion is based on the well-known theoretician Johann Wolfgang Goethe. There has been one problem during the whole research, which is “Is there any color at all?” It has made us conclude, and also makes us aware throughout the research that the concept of colors is much more extensive than we think. The phenomenon of color has been explored since its beginnings, from prehistoric times, across ancient Rome and Greece to the Victorian era, to the present-day “modern” world. Three theories of color have been described and explained by three theoreticians: Leonardo da Vinci, Issac Newtonand Johann Wolfgang Goethe. By studying color theory, we divided them into three scientific aspects: the physical, psychosocial, and chemical aspect.
During the research we came to the conclusion that color has a great influence on fashion, sketches that were made during the work are based on the Goethe’s glass prism experiment. The logical sequence was to choose an iridescent holographic fabric that, under the influence of light, displays a spectrum of color.

• Keywords: boja; moda; teorija boje; holografska tkanina; spektar
• Keywords (english): color; fashion; theory of color; holographic fabric; color spectrum
• Language: croatian
• URN:NBN: urn:nbn:hr:201:010512
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design; Course: Fashion Design; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna (sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2019-06-07 09:16:32