Detalji barokne odjeće i opera "Diadona i Eneja" Henrya Purcella kao inspiracija za likovnu mapu

undergraduate thesis

• Author: Petra Kruneš
• Mentor: Marin Sovar (mentor)
• Committee member: Blaženka Brlobašić Šajatović (predsjednik povjerenstva)
• Committee member: Marin Sovar (član povjerenstva)
• Committee member: Lea Popinjač (član povjerenstva)
• Committee member: Ivana Mrčela (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; Zagreb
• Defense date and country: 2024-09-30, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

U završnom radu baviti ću se tematikom detalja ženske barokne odjeće i odjevnih kostima koji su prikazani u operi Didona i Eneja, Henrya Purcella . Likovni postupak koji sam odabrala kao “vodilju” u istraživanju i u kasnijoj fazi izrade likovne mape je crtanje i slikanje. Slijedom toga ću u teoretskom dijelu rada dati pregled baroka kroz povijest umijetnosti i osnovne značajke prikaza, te pregled baroka kroz povijest odjevanja i značajne klasne razlike u odijevanju između višeg društvenog sloja (koji je mogao sebi priuštiti odijeću od boljeg materijala kao što su svila, čipka, krzno i dr.) i nižeg sloja (koji je ponajviše nosio odjeću od jeftinijeg materijala kao što su muslin, vuna i pamuk). Predstaviti ću baroknu operu Didone i Eneja, Henrya Purcella, koju sam koristila kao inspiraciju za likovnu mapu. U likovnom dijelu rada prikazati ću imitacije barokne odjeće, njezine uloge u vremenu u kojem je stvarana, simboliku i kakvu je ulogu imao odjevni kostim u samoj operi, prikazane u sferi od 15 radova priloženih kroz fotografije.

Abstract (english)

In my final work, I will discuss the Baroque women's costumes in the opera Dido and Aenea by Henry Purcell. I have chosen The art process as a "guide" in researching and making my own drawings and paintings. Consequently, in the theoretical part of the work, I will give an overview of the baroque throughout the history of art and the basic features of the display. I will also provide an overview of baroque throughout the history of dress and significant class differences of the dress of the higher social class that could afford clothes made of better materials such as silk, lace, fur, etc., from the lower class mostly wore clothes made of cheaper material such as muslin, wool, and cotton. I will present the Baroque opera Dido and Aeneas, which I use as an inspiration for my art. In the art part of the work, I will show imitations of Baroque clothing, her role in the time she was made, symbolical and what kind of role the costume had with opera, shown in a sphere of 15 artworks attached as photographs.

• Keywords: barok; kostim; povijest; umjetnost
• Keywords (english): Baroque; costume; history; art
• Language: croatian
• URN:NBN: urn:nbn:hr:201:035070
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design; Course: Fashion Design; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna (sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-11-29 10:35:21