Portret Ane Boleyn (oko 1535.) - analiza i interpretacija povijesne odjevne kompozicije

master's thesis

• Title (english): PORTRAIT OF ANNE BOLEYN (c. 1535) – ANALYSIS AND INTERPRETATION OF HISTORICAL CLOTHING COMPOSITION
• Author: Nives Skelin
• Mentor: Katarina Nina Simončič (mentor)
• Committee member: Irena Šabarić (predsjednik povjerenstva)
• Committee member: Katarina Nina Simončič (član povjerenstva)
• Committee member: Blaženka Brlobašić Šajatović (član povjerenstva)
• Committee member: Karla Lebhaft (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2022-09-30, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Diplomski rad „Portret Anne Boleyn (oko 1535.) – analiza i interpretacija povijesne odjevne kompozicije“ bavit će se stilsko-odjevnom analizom portreta Anne Boleyn, druge ţene engleskog kralja Henrika VIII. Prvi dio rada posvetit će se značajkama tudorskog stila u umjetnosti i modi, zahvaljujući dosadašnjim relevantnim istraţivanjima, vizualnim izvorima te sačuvanim artefaktima. Drugi dio, temeljit će se na metodi analize portreta Anne Boleyn s fokusom na pitanje uloge odjeće kao društveno-statusnog simbola. U trećem dijelu rada bit će izloţeni postupci i faze rekonstrukcije te gotov odjevni predmet tj. interpretacija odjevne forme s portreta. Rad će posebno razmotriti ulogu povijesnih tehnika izrade, ukrašavanja i vrste tkanina, u pokušajima suvremenih postupaka rekonstrukcije.

Abstract (english)

The master thesis "Portrait of Anne Boleyn (c. 1535) - analysis and interpretation of historical clothing composition" will deal with style and clothing analysis of the portrait of Anne Boleyn, the second wife of King Henry VIII of England. The first part of the dissertation will focus on the features of the Tudor style in art and fashion, due to relevant research, visual sources and preserved artifacts. The second part will be based on the method of analyzing the portrait of Anne Boleyn with a focus on the role of clothing as a symbol of social status. The procedures and stages of reconstruction will be presented in the third part of the dissertation, as well as the finished garment, i.e. the interpretation of the garment form from the portrait. The paper will especially consider the role of historical techniques of making, decorating and types of fabrics, in attempts at modern reconstruction procedures.

• Keywords: Anne Boleyn; Henrik VIII.; tudorski stil; rekontsrukcija
• Keywords (english): Anne Boleyn; Henry VIII; tudor style; recostruction
• Language: croatian
• URN:NBN: urn:nbn:hr:201:827063
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Costume Design; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-01-17 12:47:57