Analiza i interpretacija odjevne kompozicije prema portetu Filippo Lippija iz prve polovice 15. stoljeća

master's thesis

• Author: Sara Šumanović
• Mentor: Irena Šabarić (mentor)
• Mentor: Katarina Nina Simončič (komentor)
• Committee member: Snježana Brnada (predsjednik povjerenstva)
• Committee member: Irena Šabarić (član povjerenstva)
• Committee member: Katarina Nina Simončič (član povjerenstva)
• Committee member: Marin Sovar (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2022-09-30, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Ovaj diplomski rad se bavi analizom odjevnih predmeta prikazanih na povijesnom portretu, točnije na Portretu muškarca i žene koji nastaje 1440. godine, a čiji je autor firentinski renesansni slikar Filippo Lippi. Analiza je koncentrirana na odjevne predmete, tkanine, ornament ali i modne dodatke U prvom dijelu ovoga diplomskog rada obrađeno je razdoblje renesanse kao razdoblje sveobuhvatnog preporoda čije su se ideje odrazile i na kulturu odijevanja. Jedno od poglavlja bavi se analizom odabranog umjetničkog djela, te proučavanjem povijesnog i društvenog konteksta portreta. Nadalje, poseban naglasak je stavljen na analizu odjevnih predmeta koji su prikazani na ženskoj i muškoj figuri, te na usporedbu s analognim portretima iz povijesti umjetnosti. Pri razradi teme valja obratiti pažnju na socijalnu povijest razdoblja koja je uvelike utjecala na oblikovanje društvene svijesti u razdoblju renesanse, što je, shodno tome, rezultiralo i određenim promjenama u poimanju ljudskoga tijela, a što je utjecalo i na kulturu odijevanja. U drugom, eksperimentalnom dijelu, prikazan je razvoj konstrukcije temeljnog kroja, te njegovo modeliranje u svrhu izrade vlastite interpretacije odabranog povijesnog kostima.

Abstract (english)

Subject of the following master thesis is analysis of the garments shown in the historical portrait, Portrait of a Woman with a Man at a Casement painted in 1440. by Florentine painter Filippo Lippi. The analysis is concentrated on clothing items, fabrics, ornaments and fashion accessories. The first part of this thesis deals with the Renaissance period as a period of comprehensive revival whose ideas were also reflected in the dress culture. One of the chapters analyzes the selected artwork and the study of the historical and social context of the portrait. Furthermore, special emphasis is placed on the analysis of garments depicted on the female and male figures, as well as on the comparison with analogous portraits from the art history. When elaborating on the topic, it is necessary to pay attention to the social history of the period, which greatly influenced the shaping of social consciousness during the Renaissance period, which, accordingly, resulted in certain changes in the understanding of human body, which also affected the dress culture. In the second, experimental part, the development of the construction of the basic cut is shown, as well as its modeling for the purpose of creating one's own interpretation of the selected historical costume.

• Keywords: talijanska renesansa; povijesni kostim; silueta; kultura odijevanja; socijalna povijest
• Keywords (english): Italian Renaissance; historical costume; silhouette; dress culture; social history
• Language: croatian
• URN:NBN: urn:nbn:hr:201:642117
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Costume Design; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2023-01-17 12:34:54