Umjetnost presavijanja papira u modnim kreacijama

master's thesis

• Title (english): THE ART OF FOLDING PAPER IN FASHION CREATIONS
• Author: Barbara Buhin
• Mentor: Paulina Jazvić (mentor)
• Committee member: Ivana Mrčela (predsjednik povjerenstva)
• Committee member: Paulina Jazvić (član povjerenstva)
• Committee member: Blaženka Brlobašić Šajatović (član povjerenstva)
• Committee member: Marin Sovar (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2021-09-28, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Ovaj diplomski rad bavi se istraživanjem nastanka i povijesti papira te drevnim tehnikama njegovog presavijanja, izrezivanja ili kombinacije tehnika i njihovom primjenom u modi. Za potrebe ovog rada izrađeno je trideset 3D ilustracija koristeći tehnike crtanja i slikanja u kombinaciji s papirnatim tehnikama obrađenim u ovom radu. Također, jedna od ilustracija je i realizirana, pomoću koje sam istraživala kako se pojedini elementi mogu izvesti ako se promjeni medij izrade, koristeći tekstil umjesto papira, koje su razlike između oštrine nabora koji se dobije u papiru i tekstilu te doslovnom ukrašavanju odjevnih predmeta već izrađenim elementima. Tehnike na koje sam se najviše fokusirala u radu su origami, kirigami i quilling, uz doticanje sporednih tehnika poput papirnog izrezivanja i plisiranja koje imaju blagu poveznicu s obrađenom temom. Uz klasičnu origami tehniku u kojoj se presavija jedan pravokutni ili kružni list papira, koristila sam i elemente modularnog origamija koji zahtjeva izradu većeg broja manjih elemenata i njihovog slaganja u veću, homogenu cjelinu. Rad sam dodatno obogatila i autorskim fotografijama vlastitih ilustracija te fotografijama radova drugih autora koje su mi poslužile kao inspiracija.

Abstract (english)

This thesis deals with the research of the origin and history of paper and the ancient techniques of its folding, cutting or combination of techniques, and their application in fashion. For the purposes of this paper, thirty 3D illustrations were created using drawing and painting techniques in combination with the paper techniques covered in this paper. Also, one of the illustrations was realized and with its help I researched how certain elements can be performed if the medium of production is changed, using textiles instead of paper, what are the differences between the sharpness of folds obtained in paper and textiles and literal decoration of garments already crafted elements. The techniques I focused on the most in my work are origami, kirigami and quilling, with a touch of secondary techniques such as paper cutting and pleating that have a slight connection to the topic covered. In addition to the classic origami technique in which a rectangular or circular sheet of paper is folded, I also used elements of modular origami, which requires the production of a larger number of smaller elements and their arrangement into a larger, homogeneous whole. I further enriched the work with author's photographs of my own illustrations and photographs of works by other authors that served as inspiration.

• Keywords: origami; papir; nabori; moda; kolekcija
• Keywords (english): origami; paper; folds; fashion; collection
• Language: croatian
• URN:NBN: urn:nbn:hr:201:103807
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Fashion Design; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-12-10 11:26:53