Akira Kurosawa - kostimografija izražena filmskim jezikom: uloga i značenje boja

master's thesis

• Title (english): Akira Kurosawa – Costume design expressed in film language: the role and meaning of colors
• Author: Irena Pajić
• Mentor: Tonči Valentić (mentor)
• Committee member: Blaženka Brlobašić Šajatović (predsjednik povjerenstva)
• Committee member: Tonči Valentić (član povjerenstva)
• Committee member: Barbara Bourek (član povjerenstva)
• Committee member: Irena Šabarić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2020-10-13, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Tema ovog diplomskog rada je analiza uloga i značenje boja korištenih u Kurosawinim filmovima te ujedno kostimografija i simbolika boje upotrjebljena u izradi kostima. Na samom početku, ukratko je rečeno ponešto i o samom redatelju, Akiri Kurosawi. Utjecaji koji su doprinijeli stvaranju filmova te Kurosawin redateljski pristup kojim se istaknuo kao jedan od najznačajnijih i najutjecajnijih redatelja japanske kinematografije. Posebno je objašnjena uloga boje i kompozicije na filmu te je potkrijepljeno simboličnom uporabom boja u Kurosawinim filmovima. Ukratko je prikazan slikarski rad Akire Kurosawe uz prikaz slika njegovih radova. Okosnica ovog rada je i kostimografija koja je stavljena u analizu Kurosawinih filmova pod utjecajem tradicionalne japanske odjeće. Pobliže se objašnjava tradicionalna japanska odjeća, od koje je najznačajniji kimono, time i najprisutniji u uporabi kostima Kurosawinih filmova. Na kraju, analizira se uloga i značenje boja na Zapadu i Istoku te kostimografija na konkretnom primjeru Kurosawinog filma Dreams. Praktični dio obuhvaća razradu u kojemu su priložene skice te je objašnjen postupak izrade jednog od kostima, potkrijepljen slikama.

Abstract (english)

The topic of this thesis is the analysis of the roles and meaning of colors used in Kurosawa's films, as well as the costume design and symbolism of color used in making costumes. At the beginning, something was said briefly about the director himself, Akira Kurosawa. Influences that contributed to the making of films and Kurosawa's directorial approach by which he distinguished himself as one of the most significant and influential directors of Japanese cinema. The role of color and composition in the film is especially explained and is supported by the symbolic use of colors in Kurosawa's films. Akira Kurosawa's painting work is briefly presented, along with pictures of his works. The backbone of this work is also the costume design that was put into the analysis of Kurosawa’s films influenced by traditional Japanese clothing. The traditional Japanese clothing is explained in more detail, of which the most significant is the kimono, and thus the most present in the use of the costumes of Kurosawa films. Finally, the role and meaning of colors in the West and East are analyzed, as well as the costume design on a concrete example of Kurosawa’s film Dreams. The practical part includes an elaboration in which sketches are attached and the process of making one of the costumes is explained, supported by pictures.

• Keywords: Akira Kurosawa; redatelj; boja; kompozicija; kostimografija; kimono
• Keywords (english): Akira Kurosawa; director; color; composition; costume design; kimono
• Language: croatian
• URN:NBN: urn:nbn:hr:201:654126
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Fashion Design; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2020-10-21 12:35:37