Semiotika audio vizualnog identiteta u filmu Blade Runner

master's thesis

• Title (english): The semiotics of audio visual identity of Blade Runner
• Author: Jelena Vojković
• Mentor: Katarina Nina Simončič (mentor)
• Committee member: Martinia Ira Glogar (predsjednik povjerenstva)
• Committee member: Katarina Nina Simončič (član povjerenstva)
• Committee member: Jasminka Končić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2019-09-26, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology

Abstract

Tema ovog diplomskog rada jest semiotika filma Blade Runner redatelja Ridley
Scotta. Polazeći od pretpostavke da je kazališni, time i filmski kostim zasebna cjelina za sebe
koja prezentira i igra jednako kao i glumac, odnosno, lik, naglasak unutar istraživanja jest na
studijama Rolanda Barthesa i njegovoj semiotičkoj podjeli. Ona se primjenjuje na analizu
cjelokupnog identiteta filma, i to ne samo na kostime određenih likova, već i na scenografiju,
glazbu, atmosferu, dramaturšku poruku i cjelokupni dojam. Svrha ovog presjeka niza
značenja unutar samog prikaza jest da produbi percepciju dramaturške niti i konteksta, te kao
dokaz prinese potpunu i pomno promišljenu povezanost semantike unutar filma.
Kao dodatak diplomskom radu priložen je kratki autorski modni film inspiriran upravo
navedenom semantikom i autoričino vlastito viđenje ideje koja proizlazi iz navedenih
pojmova.

Abstract (english)

This research is a summary of semotic elements of Ridley Scott's movie Blade
Runner. Looking through the semiotic theory of Roland Barthes and the specifics of theatre
and film costume in means of influencing the viewer and his thoughts, feelings and overall
chatarsis, the identity of Blade Runner has been set through analysis of various elements. By
combining the results of all the film levels via psychological test by Robert Plutchik, a visual
presentation of all the influences that lead to the final feeling has been made. Thus, we find
the prevalence of cetain thoughts that leed the viewer to change his perception.

• Keywords: posthumanizam; film; aura; autentičnost; emocija; katarza
• Keywords (english): posthumanism; film; aura; autenticity; emotion; chatarsis
• Language: croatian
• URN:NBN: urn:nbn:hr:201:566245
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Fashion Theory and Culture; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2019-11-08 12:56:50