Sinergija mode i filma

undergraduate thesis

• Title (english): Synergy of fashion and film
• Author: Judita Jerković
• Mentor: Katarina Nina Simončič (mentor)
• Committee member: Irena Šabarić (predsjednik povjerenstva)
• Committee member: Renata Hrženjak (član povjerenstva)
• Committee member: Katarina Nina Simončič (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2019-09-12, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Ovaj rad se u prvom redu bavi analizom filmske kostimografije u razdoblju od 1930. - 1950. godine, a zatim i opisivanjem radova najutjecajnijih kostimografa kao i modnih dizajnera koji su doprinijeli modi u filmu, primjerice Edith Head, Adrian Adolph Greenberg, Orry-Kelly, Walter Plunkett u svijetu kostimografije te Christian Dior, Elsa Schiaparelli, Madeleine Vionnet i ostali u svijetu mode. Analizira se kostimografija u najpoznatijim filmskim klasicima navedenog razdoblja, ''Čarobnjak iz Oza'', ''Prohujalo s vihorom'', ''Žene'' i ''Casablanca'', te na koji način su kostimografi isticali raskoš i ljepotu kostima. Opisani su načini na koji je taj doprinos bio drugačiji u odnosu na modni dizajn, na koji način je kostimografija s filma utjecala na modno tržište i obrnuto. Također se iznosi opis mode i modnih trendova navedenog razdoblja, kako su se film i moda međusobno nadopunjavali te koliku važnost su imali na publiku. Cilj ovoga rada je ukazivanje na važnu ulogu filmske industrije na modna zbivanja prve polovice 20. stoljeća.

Abstract (english)

This final paper will analyze film's costume design in the period from 1930 to 1950 and will describe the work of the most influential costume designers and fashion designers who contributed with fashion in film, such as Edith Head, Adrian Adolph Greenberg, Orry-Kelly, Walter Plunkett in the field of costumography and Christian Dior, Elsa Schiaparelli, Madeleine Vionnet and others in the world of fashion design. Costumes will also be analyzed in the most famous film classics of the period such as ''The Wizard of Oz'', ''Gone with the Wind'', ''The Women'', ''Casablanca'' exc. and in what way costumes had emphasized its luxury and beauty. It will depict the way this contribution was different in relation to fashion design, how the costumography of the film influenced the fashion market and vice versa. Also it will be described the fashion and it's trends od the period, how did the fashion and film supplemented each other and the importance they had for the audience. The aim of this paper is to point out the important role of the film industry in fashion trends of the first half of the 20th century.

• Keywords: film; moda; filmska kostimografija; kostimograf; modni dizajner
• Keywords (english): film; fashion; film's costumography; costume designer; fashion designer
• Language: croatian
• URN:NBN: urn:nbn:hr:201:409453
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design; Course: Fashion Design; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna (sveučilišni/a prvostupnik/ prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2019-09-16 10:42:25