Oglavlja inspirirana baletnim predstavama Petra Iljiča Čajkovskog

master's thesis

• Title (english): HEADPIECES INSPIRED BY BALLET PERFORMANCES OF PYOTR ILYCH TCHAIKOVSKY
• Author: Petra Gulišija
• Mentor: Marin Sovar (mentor)
• Mentor: Ivana Bakal (pomoć pri izradi, neposredni voditelj)
• Committee member: Martinia Ira Glogar (predsjednik povjerenstva)
• Committee member: Marin Sovar (član povjerenstva)
• Committee member: Ivana Bakal (član povjerenstva)
• Committee member: Ana Sutlović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Textile Technology; (Department of Fashion Design); Zagreb
• Defense date and country: 2021-09-27, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Textile Technology; Textile and Clothing Design

Abstract

Klasiĉni balet je cijenjena umjetnost za koju su kroz povijest poznati umjetnici skladali predivne simfonije, koreografi osmislili graciozne koreografije, a kostimografi oĉaravajuće kostime, koji i danas imaju velik utjecaj na baletnim pozornicama diljem svijeta. U teoretskom dijelu autorica piše o opusu Petra Iljiĉa Ĉajkovskog, povijesti klasiĉnog baleta i razvoju klasiĉnog baletnog kostima. Posebna paţnja posvećena je amblematskim autorovim baletima poput LabuĎeg jezera, Trnoružice i Orašara. Uz teoretski dio rad od ĉetvrtog poglavlja ukljuĉuje i umjetniĉko istraţivanje. Umjetniĉki dio rada usredotoĉen je na analizu boja i materijala te izradu oglavlja kao neizostavnog dijela baletnog kostima. U radu su priloţeni moodboardovi kao polazište inspiracije, skice kao prijedlozi oglavlja i fotografije realiziranih oglavlja.

Abstract (english)

Classical ballet is a prized art for which throughout history famous artists have composed beautiful symphonies, choreographers have designed graceful choreographies, and costume designers enchanting costumes, which still have a great influence on ballet stages around the world. In the theoretical part, the author writes about the opus of Pyotr Ilyich Tchaikovsky, the history of classical ballet and the development of classical ballet costume. Special attention is given to the author's emblematic ballets such as The Swan Lake, The Sleeping Beauty and The Nutcracker. In addition to the theoretical part, following the fourth chapter, the paper introduces artistic research. The artistic part of the paper is focused on the analysis of colors, materials and the production of headpieces as an indispensable part of a ballet costume. The paper includes mood boards as a starting point for inspiration, sketches as suggestions for headpieces and photographs of actualised headpieces.

• Keywords: baletni kostim; klasiĉni balet; LabuĊe jezero; oglavlje; Orašar; Petar Iljiĉ Ĉajkovski; Trnoruţica
• Keywords (english): ballet costume; classical ballet; The Swan Lake; headpiece; The Nutcracker; Pyotr Ilyich Tchaikovsky; The Sleeping Beauty
• Language: croatian
• URN:NBN: urn:nbn:hr:201:079406
• Study programme: Title: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture; Course: Costume Design; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2021-12-10 13:57:47